| No.1 |
Lines, Dots & Crosses (1993) (16’)
for violin and piano
(published by Donemus, Amsterdam) |
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| No.2 |
Primal Gestures for Organ (1993/rev.1995) (8’)
for organ solo
(published by Donemus, Amsterdam/Issued on CD 2001) |
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| No.3 |
# Text & Treatment (1993-1995) (40’)
for 2 voices and piano
Text: Dr. Seuss, Kurt Schwitters, Jacques Prévert, Willem Adriaansz
I. Music to be Displayed for soprano and piano (8’) #
II. Music to Unwind for 2 voices (soprano & tenor) and piano (8’)
III. Music to be Saved for tenor and piano (25’) # |
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| No.4 |
Chant Descendant (1994) (10’)
(Chants Monotones pt. 2)
Text: Jacques Prévert)
No.4a - for soprano and piano (10’)
No.4b - for soprano, organ and percussion (version 1997) (12’) |
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| No.5 |
Chant Negatif (1995) (40’)
(Chants Monotones pt. 3)
for soprano, string orchestra and 6 percussion
text: Jacques Prévert
First performance by the former Netherlands Ballet Orchestra conducted by Stefan Asbury.
(published by Donemus, Amsterdam) |
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| No.6 |
Chant Ascendant (1995) (13’)
(Chants Monotones pt. 4)
for two sopranos and ensemble
Text: Jacques Prévert
(fl,ob,cl,hp,guit,md,pf,vl,vla,vc,cb)
Commissioned by the NPS for het Nieuw Ensemble
(published by Donemus, Amsterdam) |
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| No.7 |
# Barrier Music (1995) (20’)
for wind instruments and double-bass
(fl/pc,3 sax,hrn,3 tp,3trb,pf,db)
Commissioned by Orkest de Volharding
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| No.8 |
# Music of Mercy Pt.2(1996-1997) (20’)
pt. 2a for harpsichord
Commissioned by the Doelenensemble.
Pt. 2b for harpsichord, string quartet and percussion
Commissioned by Ensemble Musik Fabrik and the Beethoven Haus in Bonn |
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| No.9 |
Music of Mercy pt. 3 (1997)
(18’)
for saxophone-quartet and 6 percussion
Commissioned by Slagwerkgroep Den Haag and the Aurelia Saxophone
Quartet (Issued on CD in 2003) (published by Donemus, Amsterdam) |
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| No.10 |
Om Jou (1998 + 1999) (10')
for soprano and ensemble
Text: Herman Brusselmans, Anon.
(sop,vla,cb,pf,2 perc)
Commissioned by the Schonberg Ensemble |
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| No.11 |
3-pt. (untampered) Product(1998)
(25’)
for harmonium and ensemble
(fl/picc trb, harm, 2 perc)
Commissioned by Dirk Luijmes |
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| No.12 |
3-pt.-Melodies, Variations & Objects (2000) (14’)
for piano-obbligato and large ensemble
(fl,ob,cl,bcl,bsn,hrn,trp,trb,2 pc,pf,vl,vla,vc,cb)
Commissioned by the Schonberg Ensemble |
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| No.13 |
Comfort, for
Orchestra (2001) (7’)
for large Orchestra
Written for the Radio Philharmonic Orchestra. Commissioned for the opening of
the Holland Festival 2001 in the Concertgebouw, Amsterdam. (published by Donemus,
Amsterdam) |
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| No.14 |
Pastorales I-IX (2001)
(20’)
for solo piano |
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| No.15 |
Battle Hymns,
for 3 multi-functional musicians (2001) (27’)
for singing percussionist, percussion-playing singer & singing pianist
Commissioned by the Big Bang Festival.
First performed by Arnold Marinissen (perc/voice); Romain Bisschof (voice/perc)and
Peter Adriaansz (pf/voice) |
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| No.16 |
Composition in 3 Parts (2002)
(12’)
for 3 ensembles
(6 perc, sax quartet, fl/picc,3sax,hrn,3tp,3tb, bs guit, pf)
Written for Slagwerkgroep Den Haag, Orkest de Volharding and the Aurelia Saxophone
Quartet.
Commissioned by Slagwerkgroep Den Haag for their 25th anniversary |
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| No.17 |
Untitled Composition (2002-2004)
(20’)
for Trumpet & Organ
Commissioned by Piet van der Steen and Peter van Dhinter |
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| No.18 |
Triple Concerto (2003) (18') (parts I and II)
for ensemble
(rec, cl/bs cl, trb, el.gt, mar, pf, vl, cb)
Commissioned by the Maarten Altena Ensemble |
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| No.19 |
6 Parts for 7 (or more) Players (2003) (17’-30’)
for ensemble
Set of parts without a score, duration variable
(hpschd, fl + hrp, cl, trb, vc + pc, pc solo, harm. instr)
Commissioned by the Ives Ensemble |
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| No.20 |
9 through 99 (2003) (12’)
A canonic translation of Pascal's triangle, modulo 9
for ensemble
(pf 4-hands, vib, mar, 2 fl, bs cl, bsn, vl, vla, vc, cb & ch cymb)
Commissioned by the Ives Ensemble |
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| No.20b |
9 through 99/2 (2005)
(12’00”)
version for 6 players
(fl, bs.cl, vib, pf, vl, vc)
Commissioned by the California EAR Unit |
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| No. 20c |
9 through 99/3 (2005) (12’00”)
version for 7 players
(alto sax, ten, sax, vib, mar, pf, vl, vc)
Commissioned by ensemble KORE |
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| No.21 |
Zo Stom als een Steen (2003)
(5’)
Incidental song for soprano & piano
Text: Herman Brusselmans.
First performed by Renate Arends and Moritz Eggert |
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| No.22 |
Chromatic Fundamentals (2004)
(30’)
3 movements based on square-root forms and proportional growth
for violin & piano
Commissioned by Gerard Bouwhuis and Heleen Hulst |
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| No.23 |
Serenades II to IV (2004)
(18')
for electric guitar quartet
(3 el. guitars + bass guitar)
Commissioned for the first edition of the International Output Festival
Premiered Oct. 2004, Amsterdam. First performed by Electric Guitar Quartet Catch
 click
here to view the score in pdf format |
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| No.24 |
7 Dances for Percussion 4-tet (2004)
(26').
for percussion quartet
Commissioned by Slagwerkgroep Den Haag for a dance-production with choreographer
Marie-Cécile de Bont
click
here to view "Duo 1"
in pdf format
click
here to view "Duo 2"
in pdf format |
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| No.25 |
Recessionist March (2005)
(1’08”).
for oboe, clarinet, violin, viola and double-bass
Commissioned for a theater production by ensemble Cameleon |
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| No.26 |
Altijd, Al (2005)
(8’)
for 8 voices
Commissioned by the Dutch author’s rights organization BUMA for the CIAM
international Congress. First performed by the Netherlands Vokaal Laboratorium |
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| No.27 |
Structures I -XVI (2005)
(ca. 400’).
for any kind of mixed ensembles and orchestras, with or without live electronic
delay
Series of sixteen scores without parts, for variable instrumentations ranging
from small ensembles to orchestras. Written according to the technique of available
pitches and dealing with aspects of infinity and the harmony of the spheres.
All parts can be played separately or as a set and with or without live electronic
delay (to be obtained from the composer) |
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Consists of five parts: |
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| No.27a |
Structures I – V (ca.115’)
(Single Lines on Moving Planes)
for large ensembles (up to 22 voiced chords)
Structure I (16’40”)
Descending 7-pitch-chords
Structure II (21’15”)
15-pitch-chords in Diamond-form
Commissioned by Orkest de Volharding + het Doelen Ensemble.
Structure III (22’30”)
ascending and descending 15-pitch-chords plus harmonic inversion
Structure IV (32’30”)
22-pitch-chords in Cross-form
Structure Va (21’00”)
ascending 10-pitch-chords
Structure Vb (21’30”)
ascending 10-pitch-chords |
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| No.27b |
Structures VI – IX (ca.60’)
(Single Lines on Static Planes)
for small ensembles (up to 8 voiced chords) with delay
Commissioned by ensemble KORE (Can) and the Maarten Altena Ensemble.
Structure VI (13’40”)
modulating 7-pitch-chords
Structure VII (13’00”)
Static 6-pitch-chords
Structure VIII (19’20”)
Static 8-pitch-chords
Structure IX (16’ 20”)
modulating 7-pitch-chords |
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| No.27c |
Structures X – XII(ca.100’-120’)
(Single Lines on Moving and Static Planes).
for Orchestras or very large ensembles (up to 33 voiced chords)
Structure X (52’00”)
up to 33-pitched-chords
Structure XI (21’30”- 32’15”)
12-pitched-chords
Structure XII (32’30”)
up to 22-pitch-chords in Cross Form |
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| No.27d |
Structures XIII-XV (ca.
60’)
(Double Lines on Moving and Static Planes)
Commissioned by the Crash Ensemble
Structure XIII (20’30”)
13-pitch-chords in Cross Form
Structure XIV (16’00”)
8-pitch-chords on differing Axes
Structure XV (18’00”)
modulating 10-pitch-chords in Wedge Form |
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| No.27e |
Structure XVI (18’30”)
for two sustaining chord instruments
Commissioned by Jan Hage and Tatiana Koleva (organ + marimba) |
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| No.28* |
Strands I & II(2005) (10’)
for ensemble
(bs rec, bs cl, trb, vib, pf, el guit, vl, cb)
Written for the 25th anniversary of the Maarten Altena Ensemble |
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| No. 29b |
Formalist Dance # 1 (2005)
(8’)
for two pianos
a short study in tiling |
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| No. 27 |
S X(2006) (ca
52’)
orchestral score of Structure X in the form of a color-canon |
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| No. 27 |
S XI (2006) (21’ 30”)
orchestral score of Structure XI |
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| No. 30 |
La Voce di Zarlino(2006) (ca.
35’)
for vocal ensemble
three movements on texts of Gioseffo Zarlino
1. for five voices and optional keyboard
2. for multiple voices and variable ensemble
Commissioned by the Compagnie Bisschoff and the Utrecht Festival of
Early Music
click
here to view the score in pdf format |
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| No. 31* |
Five Palindromes (2004-2007)
for violin & piano |
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| No. 32 |
Anekabahudaravaktranetram (2007)
(ca. 90’)
for voices and large, variable orchestra
on texts from the Bhagavadgita |
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| No. 33* |
Wolfram # 30 (2007)
(18’)
for four pianos
a translation of Stephan Wolfram’s Cellular Automaton # 30 |
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| No. 34 |
Waves (2007) (ca.
30’ - 40’)
Four pieces for E-bow piano, sines & live-delay
written for Sonsoles Alonso
click
here to view the score in pdf format |
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| No. 35 |
Prana I – V (2007)
(63’)
Five sections on texts from the Baghavadgita and St. Augustine’s Confessions
For ensemble of electric guitars, percussion & female voices
Written for the Output Festival 2007
click
here to view the score in pdf format |
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| No. 36* |
Concords I – III (2007)
(45’)
Three translations of the name Ives Ensemble, for variable ensemble
I: equal tempered
II: in the series
III: in primes |
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| No. 37 |
Waves 5 – 7 (2007)
(ca. 20’)
For small, variable ensemble with or without live delay
Written for ensemble Klang (2 winds, trombone,
percussion, el. Guitar & eBow piano) |
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| No. 38 |
Waves 8 – 10 (2008)
(ca. 25’)
Written for LOOS electronic acoustic media orchestra |
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| No. 39 |
Waves 11 – 13 (2008)
(ca. 17’)
For variable ensemble of treble instruments, sinetones & subsonic
waves
Written for LOOS electronic
acoustic media orchestra
(fl/picc, sax/cl,vl, eBow
piano, perc & bass guit.)
click
here to view the score in pdf format |
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| No. 40 |
Nu descendant l’escalier (2008)
(ca. 2’)
For 2 winds, trombone, percussion, el. Guitar & piano
Written
for ensemble Klang |
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| No. 41 |
Enclosures (2008)
(20’)
For voice, viola, microtonal keyboard & sinewaves
Written
for Trio Scordatura and Transit Festival Leuven
click
here to view the score in pdf format |
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| No. 42 |
Music for Sines, eBows, Percussion & Variable
Ensemble (2008) (ca. 30’)
For recorders, clarinet/bass clarinet, trombone, violin, double-bass, piano & perc.
Written for ensemble MAE
click
here to view the score in pdf format |
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| No. 27b |
Structure VI (2005) (13’40”)
Version for female voices, organ and male drone
Written for the ASKO kamerkoor |
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| No. 43 |
Three Quartets (2009) (ca. 26’)
For String Quartet, Saxophone Quartet, Percussion Quartet and Sinewaves
Written for the World Minimal Music Festival, Amsterdam 2009
click
here to view the score in pdf format |
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| No. 44 |
Verdichtingen (Compression) (2009) (ca. 26’)
For Orchestra (2222,422,12-10-8-6-4,4 pc,pf,hp), opt. Narrator & Sinewaves
Written for the Netherlands Radio Chamber Orchestra and the Netherlands Music Days 2009
with texts by poet Astrid Lampe
click
here to view the score in pdf format |
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